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Consultez des tas de tutoriels informatiques et truc et astuces sur Tutoriallo.blogspot.com. Cours Formation Bureautique, actualité, téléchargement des logiciels gratuit pour Linux, windows, mac et script.

Tutoriallo.blogspot.com présente divers tutoriels et aide en informatique.

Consultez des tas de tutoriels informatiques et truc et astuces sur Tutoriallo.blogspot.com. Cours Formation Bureautique, actualité, téléchargement des logiciels gratuit pour Linux, windows, mac et script.

Tutoriallo.blogspot.com présente divers tutoriels et aide en informatique.

Consultez des tas de tutoriels informatiques et truc et astuces sur Tutoriallo.blogspot.com. Cours Formation Bureautique, actualité, téléchargement des logiciels gratuit pour Linux, windows, mac et script.

Tutoriallo.blogspot.com présente divers tutoriels et aide en informatique.

Consultez des tas de tutoriels informatiques et truc et astuces sur Tutoriallo.blogspot.com. Cours Formation Bureautique, actualité, téléchargement des logiciels gratuit pour Linux, windows, mac et script.

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Affichage des articles dont le libellé est design. Afficher tous les articles
Affichage des articles dont le libellé est design. Afficher tous les articles

dimanche 8 juillet 2012

Essential Design Patterns For Mobile Banking

Despite a great deal of mobile innovation, many creators of financial apps still copy their interface patterns from the desktop Web, even though these patterns are not as well suited to the mobile space. Small screens, custom controls, divided attention and fat fingers demand different thinking when designing for mobile.

I previously covered mobile wallet UX considerations in my article “Ultimate Guide to Designing NFC Mobile Apps You Won’t be Ashamed Of.” In this article, we will look specifically at simple mobile transfers of funds from checking to savings accounts, taking what works on the Web and converting it into authentically mobile flows using simple, effective design patterns. Similar analyses and design strategies can be applied to many other areas that involve complex forms, such as mobile e-commerce checkout and social network registration.

We will not name any companies in this article. That is deliberate. If you are looking for company bashing, you won’t find it here. But if you want to know how to make mobile banking work, read on.

Let’s begin with the basic building block: selecting an account. It can be accomplished in two primary ways: via a “picker” (called “spinner” in Android) and via a dedicated selection page (also called “table view”).

For system interactions, many app and mobile website designers start by looking at the desktop Web interface pattern: a form with drop-down menus. Here is a common pattern for me-to-me transfers (i.e. transfers between two of your own accounts, such as checking and savings):

Typical Web Form
Typical me-to-me transfer via Web form.

The drop-down menu works reasonably well on the desktop Web, assuming the customer has between 1 and about 20 or 30 accounts. Each account can be listed in the drop-down menu by its full name, along with the account balance:

Web Form Options
Selecting an account via the Web form’s select control.

How does this translate to mobile? Not very well. Blindly copying the desktop Web is a knee-jerk reaction, and it turns out that it’s mostly unsuccessful, resulting in a subpar experience. Here is why. Instead of the 20 or 30 selections that can be displayed in the drop-down menu, the iPhone’s standard picker control shows only 3 full and 2 partial choices:

ios Picker
Selecting an account via iOS’ picker control.

In Android 4.0 (the latest public Android version, named Ice Cream Sandwich), the situation is slightly better. Instead of the picker, the Android OS uses the spinner overlay, which shows 8 options. Unfortunately, the formatting options are quite limited, and the text area in the overlay is about 20% narrower than the main screen because the spinner is not using the full width of the device. This leads to confusing double and triple wrapping of text and numbers:

Andorid Wheel
Selecting an account via Android’s spinner control.

Interestingly, some online banks use this pattern to display a list of accounts. However, by necessity (and to avoid the confusion of wrapping and truncation on older and smaller low-end devices), they use short codes for account names, such as CHK, SAV and CC1. These abbreviations work reasonably well for text banking, where the short-and-sweet mental model (“C U L8R”) reigns supreme. However, code abbreviations are far from the slick world-class UI elements that consumers have come to expect from their smartphones. Rather, they smack of “dim phones,” BlackBerrys, DOS and enterprise software. Having to remember codes to do mobile banking is a far cry from the experience of playing Angry Birds or shopping on Amazon or Gilt. To create a better experience on mobile, we need another design pattern: a dedicated selection page.

A slicker and more usable mobile design pattern for listing accounts than pickers and spinners would be a dedicated selection page (also called “table view”) in which 10 or more account options could be listed comfortably. As Apple’s iOS developer guidelines state, “Consider using a table view, instead of a picker, if you need to display a very large number of values. This is because the greater height of a table view makes scrolling faster.”

This is how it looks wireframed using the agile, lightweight, sticky-note methodology (see the “References” at the end of this article):

Dedicated Page
Selecting an account via a dedicated selection page (wireframe).

The advantages of using a dedicated selection page over a picker or spinner include the following:

Any font and branding you like;A platform-independent experience;Use the entire width of the page;Text wraps as needed, so multiple device profiles can use the page comfortably;Display 10 or more options at a time, with comfortable scrolling.

The bottom line is that, with a dedicated selection page, you can easily display the account’s full name and balance.

How could this pattern be used with a form? One popular pattern is a form with dedicated selection pages. Unfortunately, this often creates very long flows.

The idea behind this pattern is simple: copy the standard desktop Web form but use dedicated selection pages instead of pickers or spinners.

Using this mobile design pattern, our me-to-me transfer flow would look like this:

Blank form;Dedicated page to select the “From” account;Back to the form (with the “From” field now filled in);Dedicated page to select the “To” account;Back to the form (with both the “To” and “From” fields now filled in);Fill in the amount, etc., and hit “Continue”;Verification page.

Here is the flow wireframed using the agile lightweight sticky-note methodology:

Dedicated Pages Form
Me-to-me transfer via a form with dedicated selection pages (wireframe).

While this pattern works, it makes the flow quite long: seven pages. Could it be shortened? Absolutely. One excellent mobile-first pattern is the dedicated wizard flow.

This is an extreme adaptation of the desktop Web form. This pattern works extremely well for short forms because it dispenses with desktop forms entirely, using a dedicated page for each attribute of the form.

Using this pattern, our me-to-me transfer flow would look like this:

Dedicated page to select the “From” account;Dedicated page to select the “To” account;Dedicated page to enter the amount, with a numeric keyboard;Verification page.

And here is the flow using the agile methodology:

Dedicated Wizard Flow Mobile
Me-to-me transfer via a dedicated wizard flow (wireframe).

This pattern works very well for short forms, and it is a great example of Luke Wroblewski’s mobile-first design thinking. The entire flow is accomplished in only four steps. Note that a verification page (allowing the customer to review the entire transaction before tapping the final “Transfer” button) is recommended with this pattern. Note also the use of the breadcrumb pattern, which shows the customer which step of the workflow they are on and how many steps remain. The breadcrumb enhances this design pattern nicely.

Are we done? Should you create a dedicated wizard for every flow on your mobile banking website? Not so fast.

In mobile, nothing comes for free. That includes the dedicated wizard flow, which completely breaks down in longer forms. The basic idea is to have a dedicated page for each element of the form. But if the form has five or more elements, then the flow starts to get too long. Another issue is the inability of this pattern to distinguish between optional elements (such as “Memo”) and required elements (such as “Amount”). With this pattern, each element gets its own entry page with the appropriate keyboard and is likely to be treated as “required”. Even if the customer understands that they don’t need to enter anything, each element requires the customer to at least look at the page and click “Continue.”

So, is there another pattern for a page with five or more elements and many optional fields? I’m glad you asked. One of the most versatile yet underused patterns is the wizard flow with form. And as a bonus, this pattern dispenses with the need for a separate verification page.

The idea here is very simple. Start with a dedicated page to select each account, and then show the rest of the fields in a form.

Using this pattern, our me-to-me flow would look like this:

Dedicated page to select the “From” account;Dedicated page to select the “To” account;Continue to the form (with both the “To” and “From” fields now filled in);Fill in the amount, etc., and hit “Continue”.

Here is the wireframe using the agile methodology:

Wizard Flow Form
Me-to-me transfer via the wizard flow with form.

This mobile design pattern combines the best features of Web forms, such as the flexibility of having optional fields and multiple input fields, with the vastly improved usability of dedicated, mobile-optimized selection pages. Another boon is the option to dispense completely with the verification page, because the form page itself acts as an editable verification page. Of course, you could always append a separate verification page if you really must.

Editing is also much easier than with most other patterns. Instead of having to go through the entire flow again, the customer only has to edit the fields that need correction. For example, to edit the “To” account, the customer would tap the corresponding field in the form and be taken to the dedicated “To” account page, and then immediately back to the form, without having to go through the entire “From” account ? “To” account ? Amount flow again.

As we’ve seen now, mobile design itself is usually not complicated. In fact, because people will be using your app with fat meaty pointers (commonly called “fingers”) in a stressful multitasking environment (commonly called “life”), a less complicated design is virtually guaranteed to perform better. However, designing for mobile is one of the most sophisticated exercises any of us is likely to encounter. Simply copying successful desktop patterns is usually the worst choice, yet it is the one many designers naturally gravitate to.

Designing for mobile requires thinking differently. Remember that in mobile, each form field requires at least an extra tap to bring up the keyboard, picker, dedicated page or other element to enter data. Instead of a vertical flow to guide the person to the next field, consider using a horizontal flow instead. Look for options and inputs to eliminate. Whenever possible, minimize the number of pages the person has to go through in order to complete the workflow; this will reduce input errors and increase customer satisfaction. Last but not least, make user testing the core of your mobile design process, and be sure to user test everything you design as early as possible.

(al) (da) (il) (jc)

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Poster Design Contest: Redesign The Web, Redesign The World!

Web design has evolved dramatically in recent years. Better browser support and innovative design techniques are changing the way we design websites. In fact, we’ve become quite versed in producing beautiful and performant user experiences. However, this doesn’t hold true for most websites out there, now does it?

How often do you stumble on slow, clunky websites? Websites where text is embedded in images and interfaces are unusable and messy — not to mention that the code is hacky and unmaintainable? Websites that are completely unusable on mobile devices and that are cumbersome to navigate?

We all deserve better than that. With this poster contest, we’d like to raise awareness of the beautiful and accessible Web:

Redesign The Web, Redesign The World

Yes, it’s been around time to redesign the Web and, hence, to redesign the world. We can make the Web a better place. But to do that, we need your help.

As professionals, we do our best to employ the best coding and design practices. We encourage our friends, colleagues and clients to advocate the user’s interests, and we follow recent developments in the industry. However, we probably have to do a bit more if we really want to make the Web a bit more usable. We have to remind ourselves, our colleagues and our clients of the problems that their websites have, and potential solutions to these problems. We have to make it clear that websites require a minor adjustment or a major redesign.

All of the little tasks listed below would take just a couple of minutes each day, but if we use them consistently and stay persistent, our voices eventually will be heard.

Create a critique email template that you can use to notify website owners about issues with their website. Then, whenever you come across a poorly designed website, just paste the template into an email and send it to the website owner. Also, if you have a minute to spare, tweet the owner directly using the hashtag #redesigntheweb to raise awareness among your friends and colleagues.

Subject: Your website is very difficult to use!

Dear [--Website Owner--],

I just stumbled on your website [--URL--] and found it very difficult to use. I wasn’t able to [-- perform a certain task / find what I was looking for --], although I am confident that your website does have this information. I would love to use your website, and I am sure you’ve put a lot of time and thought into it, but unfortunately it was more frustrating than helpful. For me, a website’s information and features must be, above all, accessible and useful. It they aren’t, then the website doesn’t serve any real purpose.

Please consider redesigning the website and improving its user experience so that I can visit it again. Otherwise, I’ll have to keep seeking alternatives.

Thank you for your time, and I hope to stumble on your (redesigned) website in the future!

Sincerely yours,
. . . . . . . . . . . . . .

Whenever you see a bug or dark UX pattern on a website, report the issues via the website’s contact form. Explain the issue and suggest solutions for solving the problem if you can.Whenever you stumble upon a truly poor customer service, drop an email to the website owners explaining that you’ll seek an alternative service provider because your experience has been unacceptable. Be concrete in your criticism.Upgrade the browser of your friend, colleague, coworker or relative to the latest version.Propose solutions. Most owners don’t know that their website is inaccessible or slow, so help them help their users. Point them to useful templates and resources that will help them solve their problem.Whenever you see a useful or clever design solution, send a short email to the owners applauding them for their effort and attention to detail.If you are a designer or developer, join the Move the Web Forward campaign and help browser makers and open-source projects do just that. And, of course, recommend only best practices to students and newcomers to the industry.

Or you could also join this contest and create a poster to spread the message!

We challenge you to design a beautiful, thought-provoking and inspiring A4/A3-sized poster and send it over to us. The poster should encourage everyone to create fast, user-friendly and accessible websites; websites that deliver value and are a pleasure to use. We will then select the most interesting designs, release them for free on Smashing Magazine, and invite everyone to republish them, print them out, post them on walls and send us photos of the posters from across the globe.

As always, we have valuable prizes for the best entries. The winners of the contest will be determined by Smashing Magazine’s editorial team. Here are the prizes:

Letterpress Prints
If you love letterpress posters like we do, you can select two of them from Jessica Hische’s collection or Wilkintie collection and we’ll deliver them for you. Alternatively, you can pick the ILoveTypography’s limited edition “A World Without Type” type poster.

52 Aces Card Deck
A limited edition poker deck consisting of 52 extremely different cards, each of them individually designed by an international designer or illustrator in their distinct style.

Wacom Inkling Drawing Pen
This pen records your sketches as you draw. Simply transfer the files to your computer and continue working on the sketches digitally. It’s a tool that every modern designer should have.

Bose QuietComfort 15 Acoustic Noise Cancelling Headphones
According to various tests, the Bose QuietComfort 15s currently offer the best quality sound and silencing capabilities in a pair of noise-canceling headphones. If you want to focus on your work and do not get distracted by subway or cars driving nearby, that’s the headphones you probably need.

To participate in the poster contest, please follow the rules listed below. Please note that we will not consider designs that don’t meet these guidelines.

Come up with an original, beautiful and unique design. It could be an illustration, collage, photographic piece, typographic design — anything! Please make sure the design looks great when printed out, both in color and black and white.The design should be well formatted for printing: in A4 and A3 sizes, and with a 5-mm print margin.The design should include a small Smashing Magazine’s logo. You may also include your own logo. Please make sure both logos are readable yet unobtrusive.Pack up your source files, preferably in a layered PSD, AI, EPS or INDD file, in a ZIP-archive, e.g. [your-name]-[submission's-title].zip would be great.Submit your poster design by the 23rd of July 2012 to the email address submissions[.at.]smashingmagazine.com, with the subject line Redesign the Web Contest.

Please also give credit where credit is due. Make sure to respect the copyright of designers whose images and words you use in your design. And feel free to submit multiple entries; however, each entry should be unique and distinguishable.

In the future, we’d love to print the best designs in a series of t-shirts (only with your permission, of course), so bear this mind when designing your work. We will feature the selected posters a week after the submission deadline. Feel free to include a link to your portfolio in your submission email; we’d love to link to it in the release post!

But what might such a poster look like? Well, we asked five well-respected designers to interpret the “Redesign the Web, Redesign the World” theme with their own ideas, creativity and style. The results are striking and inspiring, and they prove once again that cultural diversity turns every task and problem into a unique experience. These are only few interpretations of the theme — there are many more out there!

Nick La interprets the Web as an earth-like eco-system. The Web is situated in an abstract, futuristic environment, with colors and elements that convey an almost mystical atmosphere. The interpretation has a visionary quality to it and shows a touch of Jules Verne. Have you noticed how Nick managed to have both dinosaurs and tweets in one artwork?


by Nick La

Larissa Meek’s first poster concept is strongly geometric and bursts with color. “I wanted to capture the essence of what a more beautiful world would feel like based on the statement ‘Redesign the Web, Redesign the World,’” Larissa says. The result sure catches the eye.


by Larissa Meek

Larissa Meek’s second concept shows another interesting approach, visualizing the various elements that the Web currently consists of. The poster captures techniques such as CSS and HTML, workflow elements such as storytelling and also the daily realities of the professional designer such as deadlines, coffee breaks and ideation. All elements are interconnected in a clever composition using just two main colors: red and orange.


by Larissa Meek

Simon C. Page is known for his abstract geometric styles. His poster design is made up of a variety of shapes and structures that are fundamental to the Web — the world being one of them.


by Simon C. Page

Brazilian designer Ricardo Gimenes’ first concept relies on Smashing Magazine’s familiar cartoon style and introduces what might be considered a tag.


by Ricardo Gimenes

Veerle Pieters’ cover design for the Smashing Book 3 reflects the various elements that a redesign has to balance and the various building blocks of Web. Read more about Veerle’s ideas behind the design and the process. If you would like to buy a print of the poster, please visit our Smashing Shop.

Design by Veerle Pieters
Smashing Book #3 and #3? cover designs by Veerle Pieters

We are excited to see what you are capable of, and we sincerely believe we can all shape the future of the Web together. The poster contest is just a humble attempt to change the way things are, and it will hopefully trigger your creativity and encourage you and others to reinterpret the Web and the world through a new lens.

Good luck, everyone! We are looking forward to receiving many beautiful entries!

Yours truly,
The Smashing Team

“Now is the accepted time, not tomorrow, not some more convenient season. It is today that our best work can be done and not some future day or future year. It is today that we fit ourselves for the greater usefulness of tomorrow. Today is the seed time, now are the hours of work, and tomorrow comes the harvest and the playtime.” — W. E. B. DuBois

Smashing Editorial

We love high-quality content and we care about little details. We believe that good content and design are crafts worth sharpening. Located in the lovely city of Freiburg, Germany. Mostly Vitaly (vf), Iris (il), Stephan (sp) and Sven (sl).

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mardi 12 juin 2012

Apple Airport Express : WiFi double bande et nouveau design

Apple Airport Express : WiFi double bande et nouveau design: tutoriallo.blogspot.com est une place de marché dédiée aux tuto informatiques en vidéo. Chacun peut y apprendre à utiliser un logiciel ou bien partager ou vendre un savoir-faire informatique. Apprenez pas à pas, à votre rythme et visionnez les vidéos sans limite de temps, parmi un catalogue de plus de 20500 tuto.

Apple a discrètement mis à jour les pages Web dédiées à sa station WiFi Airport Express, révélant un nouveau modèle qui inaugure un design identique à celui de l'Apple TV - couleur mise à part, ainsi [...]





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lundi 4 juin 2012

how to design meter with photoshop

how to design meter with photoshop: tutoriallo.blogspot.com est une place de marché dédiée aux tuto informatiques en vidéo. Chacun peut y apprendre à utiliser un logiciel ou bien partager ou vendre un savoir-faire informatique. Apprenez pas à pas, à votre rythme et visionnez les vidéos sans limite de temps, parmi un catalogue de plus de 20500 tuto.
how to design meter with photoshop

in this Adobe Photoshop tutorial we will show you how to create meter design.

Result Meter design in Photoshop 

 

 

 

 

 

Step 1

Let’s start out by creating a new file. I used a 400×200 pixels canvas set at 72dpi, and I filled my background with #255B31 color shade. Now in a new layer draw a white circle with 92 x 92 px dimensions








1 Meter design in Photoshop

Step 2

Under Layer Style(Layer > Layer Style) add an Inner Glow, Gradient Overlay and Stroke blending options to the white circle layer.
2b Meter design in Photoshop
2c Meter design in Photoshop
2d Meter design in Photoshop
Result:
2 Meter design in Photoshop

Step 3

In a new layer draw a dark circle with #1F1D20 color shade and 78 x 78 px dimensions.
3 Meter design in Photoshop

Step 4

Under Layer Style(Layer > Layer Style) add an Inner Shadow, Inner Glow, Gradient Overlay and Stroke blending options to the dark circle layer.
4b Meter design in Photoshop
4c Meter design in Photoshop
4d Meter design in Photoshop
4e Meter design in Photoshop
Result:
4 Meter design in Photoshop

Step 5

Create a new layer, using the Pen Tool create a red pointed line on the center of the meter design.
5 Meter design in Photoshop

Step 6

Now in a new layer draw a small white circle with 13 x 13 px dimensions covering the bottom of the red pointed line.
6 Meter design in Photoshop

Step 7

Under Layer Style(Layer > Layer Style) add an Inner Glow, Gradient Overlay and Stroke blending options to the white circle layer.
7b Meter design in Photoshop
7c Meter design in Photoshop
7d Meter design in Photoshop
Result:
7 Meter design in Photoshop

Step 8

Select the Horizontal Type Tool then set the font family to Webdings, 14 pt, crisp and white color shade. Now in different text layers type the letters shown below for the random icons on the meter.
8 Meter design in Photoshop

Step 9

In a new layer draw a black circle with 25 x 25 px dimensions as shown below. On the layers window select the first white circle layer from step one then go to Select > Load Selection, use the settings below. Now cut out the outer selection through Edit > Cut.
9b Meter design in Photoshop
9 Meter design in Photoshop

Step 10

Under Layer Style(Layer > Layer Style) add a Gradient Overlay blending option to the black circle layer. Then set the layer's blending mode to Lighten.
10b Meter design in Photoshop
Result:
10 Meter design in Photoshop

Step 11:

Duplicate the white circle design layer from step six and resize it by a couple of pixels through Edit > Transform > Scale. Position it on the bottom corner circle.
11 Meter design in Photoshop

Step 12

Add the same set of circle designs from the last couple of step on the opposite side of the meter design.
12 Meter design in Photoshop

Results: Meter Design

Result Meter design in Photoshop
how to design meter with photoshop